Rosie Garton, PhD in Performance Studies, The Political Performance of Cycling: The Female, the Bicycle and the Gendered Urban Space. 1st Supervisor.
Lucy Ovenall, PhD in Drama (awarded ºÚÁÏÍø High Flyers Scholarship), Can we play now?: Reapplying historical feminist discourse to the hierarchical and patriarchal structures of contemporary British theatre practices. 1stSupervisor.
Elizabeth Short, PhD in Performance Art Practice. The Big Reckoning: Performing against sexual violence within the Western 21st Century Arts Industry. 1st Supervisor.
Sophie Swoffer, PhD in Performance Art and Film (awarded AHRC-funded Midlands3Cities Doctoral Training Partnership). In Her Prime, or Past It?: Reconsidering the Gaze and Feminine Monstrosity in Feminist Performance Art and Film Studies. 1st Supervisor.
Jennifer Voss, PhD in Drama and Film Studies (awarded AHRC-funded Midlands3Cities Doctoral Training Partnership), Performing Emotion: Women’s screen acting and the transition from silent to sound cinema, 1926 – 1934. 1st Supervisor.
Jason Benson, PhD in Contemporary Performance Practices, PhD in Volcano’s Theatre of Shudder: An Aesthetic Analysis, 1st Supervisor.
Robert Chilcott, PhD in Film History (awarded the ‘Behind the Eye on the 1960s: an exploration of the Peter Whitehead Archive’ Scholarship). Peter Whitehead: Behind the Eye of the 1960s. 2nd Supervisor.
Ben Hunt, PhD in Performance Practice (awarded ºÚÁÏÍø Graduate Full Bursary), Performing Trauma in the Vegan and Animal Rights Movement. 2nd Supervisor.
Alexander Millington, PhD in Drama, An Examination of the Representation of Physical Acts of Intimacy and Sexual Behaviour in Contemporary British Theatre from 2001 to 2019. 2nd Supervisor.
Fernanda Prata, PhD in Performance Practice (awarded ºÚÁÏÍø Graduate Full Bursary), The Dancer Training Within an Integrative Approach: A Transpractice Methodology Towards the UK Dance Conservatoire. 2nd Supervisor.
Alice Tuppen-Corps, PhD in Contemporary Performance Studies (awarded Performance Research Group PhD scholarship). Digital Performance and the Feminine: Towards Transformational Encounters. 2nd Supervisor.