ºÚÁÏÍø

Meet our research community

ºÚÁÏÍø is a hugely diverse and welcoming community of researchers. We believe innovation thrives on diverse perspectives; and that is why we aim to empower people from all backgrounds to achieve their full potential at ºÚÁÏÍø.  We champion EDI in everything we do, not only because it is the right thing to do, but also because we believe that limiting participation limits solutions to some of the most pressing global challenges we are facing today.

Meet some of our amazing researchers here at ºÚÁÏÍø…

Dr. Serena Dyer

Academic

Institute of Arts, Design and Performance

Fashion historian Dr Serena Dyer’s research reanimates the hands of garments makers of the past to shed light on the devaluation of sartorial labour and the cultural dynamics of creativity, consumption, and gender.

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She is also interested in themes of Britishness and patriotic shopping, women’s lives and biography, and the interconnections between production and consumption.

She is Associate Professor of History of Fashion and Material Culture at ºÚÁÏÍø, where she also leads the Global Cultures: Material, Textile and Visual research cluster and is a member of the Fashion History and Recreative Research Group.

She is author and editor of many publications including Material Lives: Women Makers and Consumer Culture in the 18th Century (Bloomsbury, 2021) and Labour of the Stitch: The Making and Remaking of Fashionable Georgian Dress (Cambridge UP, 2024),

She is currently working on her next book, Georgian Fashion: Britishness and Dress in the Eighteenth Century (under contract with Yale UP).

She is project lead on the AHRC-funded Making Historical Dress project has brought together global collaborators to establish making as a historical methodology.

Alongside her academic work, Dr. Dyer is also a broadcaster and curator. Her most recent project, with BBC History Extra, is a documentary exploring the importance of the eighteenth-century mantua-maker in the establishment of the modern fashion industry. She also writes and presents the digital series, Fashion Through History, for English Heritage.

She has recently collaborated on exhibitions with the National Trust and Bankfield Museum, and she was previously a curator at the National Portrait Gallery and the Museum of Domestic Design and Architecture.

Professor Siobhan Keenan

Academic

Institute of Arts, Design and Performance

I have a special interest in Renaissance Literature, Shakespeare, theatre history and textual editing. These interests are reflected in my teaching and research.

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I have published a number of essays on theatre history, early modern acting companies, Shakespeare and Renaissance drama, and I am the author of several books, including Travelling Players in Shakespeare’s England (2002), Acting Companies and Their Plays in Shakespeare’s London (2014) and The Progresses, Processions, & Royal Entries of King Charles I, 1625-1642 (2020).

I am also the chairman of the Malone Society – a learned society dedicated to advancing knowledge in the field of early English drama – and have edited two seventeenth-century manuscript plays for the Society, The Emperor's Favourite (2010), a political drama that uses Roman history to satirise infamous Stuart royal favourite, the Duke of Buckingham, and The Twice Chang'd Friar (2017), an Italianate city comedy which tells the story of a deceptive friar.

My latest book explores the story of early Shakespearean star actor: Richard Burbage and the Shakespearean Stage – A ‘Delightful Proteus’ (forthcoming with Arden Shakespeare, 2025). 

ADEMOLA AGORO

Student

Institute for Sustainable Futures

Optimized Design and Interconnectivity Strategy for Distributed Generation in Multi-Community Minigrids with Adaptive Grid Integration Pathways in Sub-Saharan Africa

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Optimized Design and Interconnectivity Strategy for Distributed Generation in Multi-Community Minigrids with Adaptive Grid Integration Pathways in Sub-Saharan Africa 

Sol Andersson