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Audio

Students in ºÚÁÏÍø's Music Technology programmes can pursue and develop their own compositional interests in their creative work while being introduced to wide range of new musics from which to draw inspiration. As a result, students can contribute to, be enriched by and ultimately enjoy a highly eclectic musical culture, collectively producing music in a rich variety of styles.

JACEK LAASER - Crack (2021)

The piece sounds as if it is composed of various sonic layers, which wash off sequentially. Each layer undergoes a process of transformation and decomposition, thus creating a place for the next.

MATT CRISTOFOLI - EP3 (2021)

Part of a project integrating hip hop influences and jazz samples

PETER McLEOD - No One Likes a Nigel (2021)

A multi-tempo, energetic post-punk track created to provide a pointed political message

ANNA HAZLEWOOD - Honeybee (2020)

A dream-like, idyllic soundtrack that evokes a bee flying around searching for pollen

CONNOR SNAPE - Japan 3.2 (2019)

An experimental IDM-focused work combining soundscape recordings with electronic glitch techniques

HARRY SMITH - Moments of Blitz [Excerpt] (2018)

Audio-documentary composition evoking aspects of dementia, through stories about growing up during and after the Blitz

HARRY SMITH [Fermata] - Goons [Mix] Side A Excerpt (2018)

Improvised electronic material post-produced and incorporated within a 'mixtape' context

HUMZA LOANE [LOANESKI] - Predator (2016)

A track from a final-year hip-hop album project by Humza Loane

 

 

ANUJ THAKAR (2015)

As a concept album, this portfolio is influenced in part by Orwell's seminal Nineteen Eighty-Four. Thakar presents a journey into a dystopian society run by an oppressive organisation/government. Here a main character finds a group that share the same distaste for this organisation, whereby an uprising is planned. This profile is formed of six parts.


 


 

RICARDO GARISSON, Trapstep [5.1 mix] (2015)